“I love the Monkey King for his simplicity and the inner child that defines his character. His love for freedom and quest for longevity are also qualities that I respect,“ he said. “I believe this character resonates with people of different cultures.“

　　With an aim to enhance communication with Western audiences, he also adapted Shakespeare's “A Midsummer Night's Dream“ into Peking Opera. “By presenting a story that the Western audiences are already familiar with, I hope to more effectively introduce them to the charm of Peking Opera,“ he said.

　　In recognition of his contributions, Pourazar received the Great Wall Friendship Award from the Beijing government in 2014.

　　Over the years, Pourazar has accumulated numerous injuries and health issues. His right knee now suffers from arthritis and edema due to excessive exertion during a recent Peking Opera workshop in California, yet he continues his efforts undeterred.

　　“I rely on traditional Chinese medicine when I am unwell or injured,“ he said while sipping Chinese green tea from an insulated bottle. He said his love for Chinese culture extends well beyond the Peking Opera, encompassing Chinese calligraphy, painting, cuisine and Kung Fu.

　　Despite his health challenges and advancing age, Pourazar remains committed to his artistic pursuits.

　　He is currently working on two Broadway-style musical projects, both influenced by the performance traditions of Peking Opera. The first, Dream of Wukong, explores his personal journey of mastering Peking Opera, while the second, Dr. Jane Goodall, tells the story of the renowned ecologist and her extensive work with chimpanzees.

　　“Cultural exchange should be reciprocal. I aim to blend my expertise in opera with my multicultural background to create enriching artistic experiences for the audiences,“ Pourazar said.■