大河奔涌，匠心不止。从皇家贡品到当代非遗，从工坊锤声到世界舞台，莱芜锡雕的故事，还在继续。王绪贤期待带着这件黄河边诞生的“锡”世珍宝走出国门，向世界展现山东文化、讲述鲜活的中国非遗故事，让千锤百炼的锡雕，成为一张温润的中国文化名片。

　　The rhythmic ringing of hammers echoes from the banks of the Wen River, whose waters flow into the Yellow River, carrying the sound through four centuries of history. At the Fengwangxiang Tin Carving Museum in Laiwu, Jinan, a plain block of tin is hammered, chiseled, welded, carved, and polished until it is transformed—through the hands of Wang Shengliang and his son Wang Xuxian—into a piece of tin art both warm in luster and exquisite in detail. Laiwu tin sculpture was once priced at "one tael of tin, one tael of silver," served as a royal tribute, and won a silver medal at thePanama–Pacific International Expositiona hundred years ago. This craft continues to be passed down from generation to generation.

　　Rooted in Laiwu's long tradition of mining and metallurgy, the Fengwangxiang Tin Carving Museum was founded during the Kangxi reign of the Qing Dynasty and has now been passed down through nine generations. Growing up in the workshop to the sound of hammers, Wang Xuxian has devoted more than twenty years to tin sculpture. As a municipal-level representative inheritor of the craft, he has always regarded the culture of the Yellow River and the Dawen River as the very roots of his art, hoping to use tin sculpture as a medium to tell the story of great river civilizations.